Displaying items by tag: Joseph Quinn

THE FANTASTIC FOUR: FIRST STEPS

US, 2025, 115 minutes, Colour.

Pedro Pascal, Vanessa Kirby, Egon Moss-Bachrach, Joseph Quinn, Julia Garner, Natasha Lyonne, Paul Walter Hauser, Sarah Niles, Mark Gattis. Voices of Ralph Ineson, Matthew Wood.

Directed by Matt Shakman.

2025 as been a superpower blockbuster movie year, Thunderbolts*, then DC with Superman and Marvel with The Fantastic Four. The latter two performed beyond expectations at the box office in the US and around the world. Still popular!

The Fantastic Four are not as familiar to moviegoers as Superman or Batman. There were two films in 2005-7 and an attempt to revive the franchise in 2017. This film is another attempt – and with the promise that the Fantastic Four will appear in forthcoming Avenger films.

One of the features of the Fantastic Four is that they are a very friendly group, especially likeable for the audience. For anyone not familiar with them, and for those who are, there is a prologue to this film, a TV program, a kind of This is Your Life summarising with clips the personal lives and origins and all the exploits of the Four, their venture into space, their DNA being altered, then becoming superheroes, and very popular with the citizens of New York City and the world.

Reed Richards, played sympathetically by Pedro Pascal, is the scientist, mathematician, intelligent, cerebral in his approach to crises. By contrast, Vanessa Kirby is his wife Sue Storm, her discovering she is pregnant, and she and the family, and the audience, happy anticipating the forthcoming birth. Then there is her younger brother, Johnny Storm, played enthusiastically by Joseph Quinn sometimes brash, literally full of fire, eager to be an uncle. The fourth member is Ben, played by Egon Moss-Bachrach, seen as his ordinary self in the prologue but then DNA drastically altered to some thing of a monster look, but genial behind all that orange granite that forms his exterior.

Casting is interesting because two of the Four are British, Vanessa Kirby and Joseph Quinn. Pedro Pascal is from Chile.

When Earth is threatened by a strange alien, the Silver Surfer (Julia Garner), and threatened by the archetypal cosmic villain, Galacticus (voiced by British Ralph Ineson), the Four go into space to confront him.

Part of the drama is their initial failure (though with some spectacular sequences in space, and, emotionally and dramatically, the birth of the baby), the brief press conference where they tell their adoring public that there is no hope, then the determination to find a way of confronting Galacticus who has set his ambitions on taking over the new born child and its powers.

Which means that the second part of the film is the confrontation of Galacticus, the intervention of the Silver Surfer, the giant Galactic is heavily treading through New York City demolishing huge areas (as Lex Luthor did in Superman) intense demonstration of the superpowers by the Four.

And, there is nothing like a baby to elicit audience sympathy – and there is a pleasing preview during the final credits of the baby at four, with his mother, just having spent a day reading Charles Darwin’s Origin of Species.

1. The status of the Fantastic Four in the marvel comics, created by Stan Lee? The previous film versions, modest, this version as a new beginning?
2. The basis of the plot, the Marvel universe, the four characters, Reed and Sue, their backgrounds, marriage? Johnny as Sue’s brother? The work with Ben?
3. The opening, a kind of resume of the characters and their superpowers, their activities, their reputation in New York City?
4. The relationship between Reed and Sue? Background of their space mission, the experience, overwhelmed, the changes in their DNA, superpowers? The marriage, Sue, discovering she was pregnant, Reed, the scientist and mathematician, his more cerebral approach, his joy? Johnny and his enthusiasm?
5. Ben, in the television program, his normal self, the space experience, the DNA, the granite and its colour, his size? And his voice, human and humane, his interventions? The encounter with Rachel, the students and his comic behaviour with them, his later going to find Rachel?
6. The situation with Galactus, origins, age, giant, sinister, eager for power, targeting the baby? The Silver Surfer, her appearance, the surfboard, through space, arriving on earth, the warning?
7. The status of the Four, Ed Gilbert and his show, the program, the exploits, the public and acclaim?
8. The decision to go into space, travel, the space ship, the equipment, technical skills, Reed and intelligence? The confrontation with the Silver Surfer, with Galactus, their being caught, the escape, travelling back to earth, the pursuit by the Silver Surfer, her skills, evading capture, each of the Four coping, Ben and his piloting, reading the calculations, Johnny and his attempts with his fire? Their eventually arriving home?
9. Sue, pregnant during the return, her experience, everybody involved in the delivery of the baby, the happy birth? Franklin?
10. The television show, Mary and her friendship, the press conference on return, no hope, the reaction of the public, gradually turning against them?
11. Reed and his experiments with transportation, the plan to move the planet Earth to the outer reaches away from Galactus? Its failing?
12. The determination to resolve the situation, the public learning about Galactus wanting the baby, accusations of selfishness with the family not giving up the baby? The calculations, seemingly impossible? The discovery of the lever, the calculations, the appeal to the public, the television response, the collecting all the materials, the building of the bridges, the issue of electricity, the world collaborating in blacking out to give full power?
13. The plan, times square, the central landing, the ring to trap Galactus?
14. The encounter with The Silver Surfer, her coming for the baby, the dialogue with Johnny, her back story, her experience with Galactus, giving up family for the sake of the planet? Her hostility, her embarrassment and shame, her finally turning against Galactus and sacrificing herself?
15. The help of Harvey Elder, his role in the past, sinister, ruling in the subterranean area, the clashes with the Four, their appeal to him, selfish, but agreeing, taking all the refugees from New York City?
16. The arrival of Galactus, gigantic, walking through New York, crushing the buildings, the tremors for those in the underground? Capacities, voice, penetrating sight to see the baby, his being blinded, the substitute group, but his seeing where it was hidden, the continued pursuit, Ben and his interventions, Johnny willing to sacrifice himself, read in the calculations, Sue and her willpower, forcing Galactus back, almost to the Circle, the machine, the 37 seconds, his destruction?
17. The Four, acclaimed, the public, Ed Gilbert and the program, Mary and the studio, the sudden call and their going out on mission?
18. The preview for the Avengers films, four years later, the baby and reading Charles Darwin, Sue finding the baby with the sinister hooded figure?

GLADIATOR II

US, 2024, 148 minutes, Colour.

Paul Mescal, Denzel Washington, Pedro Pascal, Connie Neilson, Joseph Quinn, Fred Hechinger, Lior Raz, Derek Jacobi, Matt Lucas, Tim McInerny.

Directed by Ridley Scott.

While sequels are often welcomed by an audience, they also often find it difficult to maintain the standard of the original film. Which is the case here. Gladiator won the Oscar for Best Picture in 2000 as well as an Oscar for Russell Crowe in his role as the strong Roman warrior, Maximus. She is one was a triumph for prolific director, Ridley Scott.

It was something of a surprise when plans were made over 20 years later for this sequel. The focus is on the son of Maximus who died in the first film, his son with Lucilla, the daughter of Marcus Aurelius. He is Lucius, played by Paul Mescal, seen first quietly living in North Africa, the Romans attacking under the leadership of General Acacius, Pedro Pascal, the North Africans defeated, taken to Rome, sold as slaves, many commandeered as gladiators.

Audiences will see the parallel scenario with the original film, the provinces, Roman warfare, prisoners, slavery, the Colosseum, gladiators, harsh life, brutality in the arena, political intrigue.

As with the original film, Gladiator II looks quite spectacular, special effects, naval battle sequences, extraordinary fights in the Colosseum especially against monstrous effect monster monkeys, and the recreation of a battle sequence in the Colosseum. Many of these scenes are very violent, and some of them exceedingly brutal in the impact. Sometimes we might wonder, as we watch the brutality of the fights and audience excitement that we are very much like these vicious Romans and their control of human life with thumbs down.

As with the Emperor, Commodus in the original film, there are two rather despicable emperors this time, the twins Geta and Caracalla (Joseph Quinn and Fred Hechinger) as symbols of the decline of the Roman Empire. Returning from the original film is Connie Neilson as Lucilla, daughter of Marcus Aurelius, mother of Lucius, recognising him, trying to make contact, eventually sacrificing herself for him. She is also in a relationship with General Acacius. One of the difficulties for the impact of the drama is that while Paul Mescal is exceedingly serious and single-minded as Lucius, he is not charismatically engaging for the audience a little in here and charm, while Pedro Pascal as Acacius does have leadership charism.

But, the big difference for this drama is the presence of Denzel Washington as the former slave with political and power ambitions, based on an actual character, Macrinus, a master in buying slaves, controlling the gladiators, with entree to the Emperor’s, deals with corrupt senators, waiting for his power grab moments, unscrupulous with his violence, even with the Emperors.

Given the limitations, the repetitions in parallels with the original, and the single-minded sternness of Paul Mescal as Lucius, audiences who enjoy Roman epics, will enjoy Gladiator II as well.

1. The impact of the original film? Its legacy? So many years for a sequel? The continuity? The scenario of the first parallel scenario of the sequel?
2. The work of Ridley Scott, epics? And audience response?
3. The settings, North Africa, the city, the battles, the Navy, the Roman conquest? The road to Rome? The entry? The Colosseum, the quarters for the gladiators? The animals? The use of the Colosseum, fights, naval battles? The royal palace? Homes? The market for gladiators? The musical score?
4. The links with the original, the mentions of Maximus, the flashbacks and the appearance of Russell Crowe? Connie Neilson as Lucilla, her relationship with Maximus, with, discovering with Lucius? Derek Jacoby as the senator?
5. Africa, Lucius and his life there, relationship with his wife, warrior, silent about his identity, the local authorities, the attack of the Romans, the details of the battles, strategies, defeat? Imprisonment? The death of his wife, seeing her pass into the next life, grief?
6. The prisoners going to Rome, the entrance to the city, the legions and the triumphant entry, general Acacius, his relationship to Lucilla, his tribute to the Senate, their suspicions, their wanting him to go on further conquests? His own response, with Lucilla, his significance in the revolt against Rome, his legions at Ostia, the sending of the message, his being trapped, sparing Lucius, his own death? Lucilla’s grief?
7. The role of Macrinus, dented Washington’s presence, slave, freed, ambitions for the Senate, ruling Rome? The auctions of slaves, seeing Lucy is in action, his talents, strength, perseverance, purchase? His master of slaves and the treatment of the slaves? The training, the accommodation in the below the Colosseum? The fight in the Colosseum, the monstrous monkeys and battles, UCS and his survival? The response of the crowds, the emperors, thumbs up?
8. The personality of Lucy is, silent about his identity, his anonymity in Africa, his relationship, the defeat, the death of his wife? With the other slaves? With the master of slaves, his being tested? With Macrinus? With Lucilla, her visit, his identity, his resistance? His eventually changing, the encounter with Acacius, the fight in the arena, spared, acacias death?
9. The background of the emperors, their status, twins, effete life, games, the court, the worms? The attitude of the Senators? Acacius? Macrinus and his setting them up, the death of Geta?
10. Arrow colour, wilfulness, childish, nominating his monkey as senator?
11. Lucius, behind-the-scenes, the ex gladiator, observing, supportive Lucius, his sending him to Ostia to bring the troops?
12. The buildup, the taking of Lucilla, in the arena, her death, the many troops converging on Lucius?
13. The troops arrival, Macrinus and his control, his deals with the senators, the corrupt senator, the gambling, the meeting of the senators, Gracchus and the past, and government, decline? The death of Gracchus?
14. The troops arriving, Lucius and his a leadership, the confrontation with Macrinus? And the future?

A QUIET PLACE: DAY ONE

US, 2024, 100 minutes, Colour.

Lupita Nyong'o, Joseph Quinn, Alex Wolff, Djimon Hounsou.

Directed by Michael Sarnoski.

There is a dire meaning in the title, A Quiet Place. Monstrous creatures had invaded earth, lacking the power of site but hypersensitive to sound. The original film and its sequel had menaced humans desperate to be silent, avoiding any kind of sound to alert the roaming predators.

Which means that audiences for this contribution to the franchise, a prequel, go into the film knowing what the key issue is. Silence.

The film starts routinely enough, a hyperactive poet, Samira (Lupita Nyong’o), ill, in care, going to group meetings and being defiant, invited to go in to New York City to see a marionette show (a quite vivid interlude, in fact). She bargains with her nurse that they have to have a pizza in Harlem. This doesn’t quite happen.

When the creatures come, they wreak enormous devastation on the city, sometimes graphically filmed. The populace, taken unawares, easily become victims, and the mayhem in the city, crashed and crushed vehicles, buildings and ruins, are caught in an atmosphere of terror.

The filmmakers have decided to focus on the central character, her survival, her trying to get to her apartment, avoiding all sounds. Suddenly, emerging from the water is a well-dressed, suit and tie, Englishman, Eric (Joseph Quinn). He is more than shell-shocked, begins to follow for security, her urging him to get to a wharf because it emerges that the creatures cannot endure water. We do see barges on the New York Rivers full of refugees.

This part of the film has its moments of excitement, Eric venturing out to a pharmacy to get medication for the poet, increased menaces from the creatures – which, is probably why most of the audiences have paid for their tickets to see it.

The ending is not quite what we might have expected, moments of pathos and sadness, moments of rescue, moments of hope for survival despite everything.

If this film is popular, will there be Day Two?

1. The popularity of the first two films? prequel and explanations, origins, the audience presupposing details, especially about creatures, about silence in danger, from the original films?
2. The New York settings, the opening in the care home, the trip into the city, the marionette theatre, the audience, going to get pizza, and the attack? The vistas of the city, the destruction of the city, streets, cars, buildings? The musical score?
3. The visuals of the creatures, audiences appreciating them from the previous films? Monstrous, the detail, the attacks, stalking people? Noise and sounds and the attacks?
4. Sam as the focus, her physical health, in care, with Reuben, the groups, that she was a writer, her aggressive poem, persuaded to go into the city, wanting pizza in Harlem? Reuben, nurse, friendship, with Sam?
5. The marionette theatre, the skill of the puppeteer, the puppets, the balloon, flying? Audience response?
6. The sudden attack, the destruction, the creatures? The silence? Sam and Reuben, his death?
7. The importance of the cat, always with Sam, the trip, the theatre, throughout all the dangers, away, coming back? Companionship? A kind of guardian angel figure? Audience response to the cat – and more than nine lives?
8. Sam, the experience, bewilderment, determination, seeing so many people taken, in the streets, the helicopters flying overhead, the message for evacuation, to take to the water? Her wanting to go to her apartment?
9. Eric, emerging from the water, suit and tie, surviving, stunned, the encounters with Sam, silence, communication, her writing notes, his following her, the dangers, going to Harlem, her apartment, her book, sleep? Her urging him to go away? His personality, quiet, rising to occasions? Seeing the people on the boats in the middle of the river, being saved?
10. The refuge in the Church, peace, sanctuary and reflection?
11. The continued trek, Eric and his going to the pharmacy, getting the medical patches for Sam? Dangers, his being threatened, the cat?
12. Sam and her weakness, the daylight, going towards the boat, seeing the kindly man from the marionette theatre on the boat?
13. Sam, urging Eric to go, with the cat, her staying behind in weakening, Eric and the water, evading the creatures, onto the boat, reading Sam’s letter and the voice-over?