Displaying items by tag: Kumail Nanjiani

ELLA McCAY

US, 2025, 115 minutes, Colour.

Emma Mackey, Jamie Lee Curtis, Albert Brooks, Julie Kavner, Woody Harrelson, Kumail Nanjiani, Spike Fearn, Ayo Edebiri, Jack Lowden, Rebecca Hall.

Directed by James L. Brooks.

In many ways an old-fashioned film, with an appeal to older audiences or those who like their entertainment as variations on familiar social themes and relationships. It was written and directed by James L. Brooks, released as he turned 86. He has had a long career, originally on television (writing and producing hundreds of episodes of The Mary Tyler Moore Show, Lou Grant, Taxi) and then producing almost 800 episodes of The Simpsons.

Ella McCay is reminiscent of his award-winning and multi-nominated films, Terms of Endearment, Broadcast News, As Good as it Gets.

While the film opens with the central character in her teens during the 1990s, the main action takes place in 2008. Ella McCay is, in fact, at age 34, the Lieutenant Governor of her state, a determined woman, idealistic (and one blogger suggested, interestingly, that she may be neuro-divergent). When the governor, played by veteran Albert Brooks (star of Broadcast News) is appointed to a presidential position, she becomes Governor.

But Ella (Emma Mackey, who could pass as the sister of Anne Hathaway and Margot Robbie) has had a difficult childhood, seen in the flashbacks, her patiently loving mother (Rebecca Hall), her seemingly carefree, womanising father (Woody Harrelson), her psychologically damaged brother (Spike Fearn) but relying on her devoted and very forthright aunt (Jamie Lee Curtis stealing every scene when she appears). Her mother dies. She loses contact with her father, unable to forgive him.

One of the enjoyable features of the film is the narration by Ella’s assistant, Estelle. She is played by Julie Kavner – and Simpsons’ audiences will immediately hear her and remember that she has been the voice of Marge Simpson for those hundreds of episodes.

Most of the action takes place over the couple of days in which she assumes the role of Governor, potential for her social benefits plans which alienate opposition, which are often too overwhelming for her own party, full of great intentions.

Then, behind-the-scenes, serious dealing with her seemingly agoraphobic brother, the arrival of her father who wants reconciliation, the audience discovering that she is married, her high school sweetheart (Jack Lowden) and some relational consequences some of which test her as well as audience tolerance. And, then there is the press, government protocols, potential scandals, political exploitation…

James L. Brooks, throughout his career, has been a man of optimism, hopeful endings. And audiences with social consciences will be strongly in favour.

However, the ending would have been in the spirit of the Obama and Biden administrations. The achievement that Ella McCay accomplishes in social outreach to those in need and which audiences enjoying the consequences the film would have been the immediate target of Elon Musk and his DOGE cutbacks, and the staff for these operations would have been immediately the target of minimising diversity in US public works. Ella McCay is not the kind of film that would be supported by the MAGA movement.

1. The films of James L. Brooks, family relationships, political issues, 20^th century popular styles? For the 21^st-century?, Comedy, screwball touches?
2. The picture liberal USA, politics, social concern, released in the first year of the second Trump administration, the contrast?
3. The style of the film, introduction, flashbacks, the strong cast? The musical score?
4. Introduction to Ella, Lieutenant Governor, age, experience, ambitions? Relationship with Bill, the genial governor, his promotion, prepared, her succeeding him?
5. The flashbacks, and her brother as children, the sadness of her mother, the philandering of her father, the boy withdrawn, Ella unforgiving, the move, and her staying with aunt Helen, aunt Helen’s criticism of her brother, her growing up cared for by Helen? Encouraging her? And Helen’s forthright character, expressing herself?
6. The action taking place over several days, Bill, his personality, getting his position, talking with Ella, the social issues, his not being supportive, his warning about others reactions to her? The announcement, her meeting the press, her response to the press?
7. The situation with her husband, the flashbacks, her high school sweetheart, the courtship, Helen’s disapproval, his staying the night, at the window, chasing him, the confrontation with Ella, the truth? His personality, his mother and ambitions, the marriage, Helen talking to him, his declaration? The marriage, the issue of the government room, the sexual relationship and regulations, the issue of the journalist, his telling the journalist, paying off the journalist?
8. And her husband, his ambitions, surveying the room, his expectations, building up to the confrontation with Ella, upset, urged on by his mother, conference, his lying about the cheque, the effect on Ella, talk of the divorce, his anger?
9. Ella, her concern about her brother, agoraphobic, age, personality, job, memories of Susan, the drugs and stimuli, Ella confronting him, the drugs, staying with him, the issue of his father and the emails, upset?
10. The announcement, her speech, the notes from Bill, her not mentioning her husband?
11. Ella, her driver, the conversations, his support of her, taking her to her brother, his partner, financial issues, the overtime, Ella upset, taking responsibility for their overtime? Apologies?
12. Her brother, Susan, the past, getting in touch, the visit, the conversations, her stances, the kiss, going out for the meal, his future?
13. Ella and her father, the sadness of her mother’s death, the years of separation, his arrival, his psychologist girlfriend, wanting him to reconcile, to get his children’s forgiveness, with Helen, his meeting with Ella, their discussions? The final confrontation, her inability to forgive him?
14. Estelle, her voice-over, her personality, devotion to Ella, the work in the office, shielding her, advising, confronting her husband? Her character?
15. Ella, her working with her team, the long meetings, members going to sleep, the aims of her legislation?
16. The press conference, the truth, the response of the journalists, literally falling over themselves, her being knocked down, the concern? The support of Helen? Decisions to be taken, her strong stands? Bill and his advice, the discussions with the party leadership, her personality, the deals, finding a solution?
17. The success of her legislation, social concern, success? (And images of 2025 in contrast with the first year of the Trump administration?)

GHOSTBUSTERS: FROZEN EMPIRE

US, 2024, 115 minutes, Colour.

Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Celeste O'Connor, Logan Kim, Emily Alyn Lind, James Lancaster, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, William Atherton, John Rothman.

Directed by Gil Kenan.

It’s 40 years since audiences first enjoyed the first Ghostbusters film, funny, touch of the frightening, ghosts in New York City, and the happy characters of the Ghostbusters themselves.

There was a sequel five years later. Then, in 2016, a female version of the same story, with Chris Hemsworth very funny as the token male secretary, but, at the time, many audiences considered this a desecration! So, five years later, an attempt to revive the franchise with Ghostbusters in the next generation. Moderate success. Now, something of a risk in making this film in the series. Jason Reitman, the son of the original director, Ivan Reitman, worked with Gil Kenan, who wrote the previous film, worked hard on being inventive this time round.

Some delight for the fans of the original film, Dan a Croydon having a central role here, his character in retirement but ready to fight again; then Bill Murray turning up, interviewing a suspect but finally joining in; Ernie Hudson, Annie Potts (although the other Ghostbusters, Harold Ramis, died in 2014).

Some delight for those who enjoyed the 2021 film, the same family of Ghostbusters reappears here as well. They are very much the younger generation, Finn Wolfhard ,as Trevor, age 18, Mckenna Grace is the very precocious, Phoebe, age 15, along with their stepfather, Paul Rudd, the mother, Carrie Coon, and several of the young characters who resume their roles.

Something for everyone. And, judging by the initial box office returns and success, mostly everyone has been very pleased.

We join an initial chase through New York City and the pursuit of the ghost. But, something of a change of tone when a man, Nadeem, comes in to sell his grandmother’s goods, in Dan Aykroyd’s store, amongst the goods a mysterious ball covered in ancient hieroglyphics, taken to the antiquities expert, Patton Oswalt, and whole yarn about a power struggle four thousand years ago and the power contained in this strange ball.

Lots of complications from then on. The Indian man, comedian Kumail Nanjiani discovers he has powers to transfer flame by moving his fingers – which will come in handy for the final confrontation! But, is a lonely ghost who betrays Phoebe, her friend, who unleashes the monster – and a new ice age all over New York City.

So, the old Brigade, the new brigade, kinds of sinister folklore from the past, confrontations of power, a lot of family problems in between, but then the final showdown.

Which means that this is popular entertainment at its most popular.

1. The Ghostbusters franchise? 40 years? The 2020s generation?
2. Audiences remembering the original film, cherishing it, the characters, the issues, ghostbusting? Younger audiences and the 2020s, the next generation? The very young Ghostbusters? This film and the reintroduction of the old characters, enhancing the action, the enjoyment?
3. The New York setting, the old fire station, the headquarters of the Ghostbusters? The musical score and the use of the familiar popular song?
4. Gary and the family, the ghost in the sky, the reckless driving through New York, confronting the ghost? Trapping the ghost in the cellar, the machine and the red light, green light? The final crash? The reaction of the mayor and his continual condemnations?
5. The family, Gary, teacher, ghost busting, Ali, the marriage, her children, Trevor and his abilities, age, driving? Phoebe, precocious, 15, science skills, weapons, ghost busting? The mayor forbidding her to work?
6. Tensions within the family, the children’s ages, their expertise, wanting to Ghostbusters, relationship with their mother, tensions with Gary? Working together, final resolutions?
7. The comedy with Dan Ackroyd, memories of the other films, his shop, retirement, Pod cast on his assistance? Nadeem, arrival, settling his grandmother’s goods, shrewd and the bargaining? The global object, Ray fascinated, consulting his antiquities friend, the long explanation of the mythology, the monster, the hieroglyphics?
8. Ray, Podcast, his age, assisting? Lucky, from the previous film? Lars, arm in sling, his expertise?
9. The ghost, companionship with Phoebe, calm, tricking her, Phoebe and her demonstration, going into the cell, the transition, becoming a ghost, the two minutes? The loosening of the sinister ball, the creature coming out, its horns, resurrecting? And the resurrecting of all the ghosts?
10. Mayhem in New York, the ice age, the crystals, the spikes, people frozen, vehicles, the destruction of the city?
11. The team reassembling, Ray, Bill Murray and his character, his interview with Nadeem, Winston, his retirement, coming into action, Janine and her return? Teaming up with the younger generation? The weapons, the attack, the ammunition being frozen?
12. Nadeem, the touch of the conman, his grandmother, the discovery of who he was, his power with his finger, the fire? His ultimate contribution, the fire?
13. Everybody frozen, the ghost, the cigarette lighter, her throwing it to Phoebe, Nadeem and his powers, the conflagration, the destruction of the ghosts?
14. The mayor, the public, his being shamed into praising the Ghostbusters? The old brigade their happy retirement? The new family, the domestic problems throughout, Gary a stepfather, Phoebe and her reactions, calling Gary dead? The happy reunion?
15. In the presence of the marshmallow ghost throughout, mischief, and the final joke during the credits?