Displaying items by tag: Gregory Miller

BREAKER MORANT: THE RETRIAL

Australia, 2013, 90 minutes, Colour.

Benedict Wall, Hannah Barlow, Traverse le Goff.

Directed by Nick Bleszynski, Gregory Miller.

Harry Breaker Morant has been a significant presence in Australian history from the late 19^th century. His activity in the Boer war and his subsequent execution have been under constant scrutiny. Bruce Beresford’s very successful film, starring Edward Woodward as Breaker Morant brought him to the attention of a wider public.

While there have been descendants of the victims of the killings during the Boer war who have continued their resentment against the British and Morant, there are Australians who have been convinced that a trial was manipulated and that Morant and his friends were scapegoats.

The present film was presented on television in two parts, later combined for streaming. It covers a wide range of Morant’s history and of life in Australia in the late 19^th century as well as detail on the Boer war. It highlights the campaign, even to Parliament, by military lawyer, James Unkles. Throughout the film there are comments and testimonies from a range of people like Geoffrey Robertson, Tim Fischer, Lawrence Street.

The film has re-enactments of Morant’s arrival in Australia, his work with horses and his nickname, his brief marriage to Daisy Bates, his friendship with Banjo Patterson, also writing verse and publishing it, supported by Patterson when a journalist during the Boer war and returning to Australia. The re-enactments are enjoyable and interesting, but in the background is also the identity of Morant, who actually was his father, the motivations for coming to Australia, his change of name, a variety of documentation and enquiries.

There is also detailed explanation of the background of the Boer war, the Afrikaaners, the role of the British, the British thinking it would be a short war, the several years, the rounding up of the Boers, the first concentration camps, and visuals of starvation and death and other atrocities.

Then there is the focus on Morant himself, the Australian patriotism and suddenly going to South Africa, the various friendships, especially a close friendship with an officer who could introduce him back to British society, his return, establishing his identity, then upset at the murder of his close friend, anger, and the application of the British orders about shooting and executions.

There are also dramatic re-creations of these incidents.

There is the court case, the experts looking back and discussing the role of Lord Kitchener, responsibilities, regulations, interpretation, and Morant and his colleagues targeted, victims.

And, of course, the men going out to be executed and Morant exhortation to shoot straight, you bastards.

The case was brought to handle Parliament but the then Attorney General, Nicola Roxon, as against it. Morant has  not been vindicated legally but very much so in the minds of many Australians (but the continual resentment, incorporated into the film by testaments of the descendants of the Boers who were killed).

THE KOALAS

Australia, 2024, 91 minutes, Colour.

Directed by George Wallace-Crabbe, Gregory Miller.

Koalas, a great Australian favourite in the past, the genial character, Blinky Bill, were declared an endangered species on 12^th of February 2022. Previously they had been classified as “vulnerable” and “threatened”. Australians became conscious of so many koalas being destroyed in the vast bushfires of 2019-2020.

This significant documentary opens with people gathering on the side of a road in at the National Park to view a koala on a tree. Admiration, curiosity, cameras. but also officials coming for rescue.to the. This is a film about the status of koalas, the destruction of their habitat, so often in the name of “development”, the need for rescue, veterinarian care, and a safety and survival campaign.

There is a particular focus here on Campbelltown and its surroundings, south of Sydney, an area with increasing ice and housing development, the clearing of land, cutting down trees. the clearing of forests. Throughout the film, there are visits to other parts of New South Wales, the focus on the survival of koalas in Victoria, and action in south-eastern Queensland.

The makers of the film have drawn on quite a number of concerned contributors, 30 to 40 making their appearance and voicing their concerns. They highlight the wide concern of the issues, range of volunteers, many belonging to organisations for protection of wildlife, scientists, politicians, engineers, all combining to make a 90 minute impact on the concerned audience.

There are quite a lot of images of the koalas themselves, time to look at them closely, their size, their ever-appealing faces, climbing the trees, squatting in the trees, continually munching (and some explanations about their love for gum trees, the toxins, their coping with them, effect on the environment). And throughout, quite a number of them are shown in close-up, and information given about their origins, their health, their survival in the bush. And, many statistics indicating how numbers are diminishing, the fires, so many becoming roadkill as they try to cross the highways, some diseases.

Which means there is quite some urgency behind the making of this film, an appeal to the Australian public to become aware of the situation, threatened species, endangered species, the threats from deforestation, logging, housing developments. Many of the advocates encourage dialogue between those concerned and governments, planners, scientists, experts on wildlife, protests and demonstrations, combat, but the possibilities of dialogue, especially with development companies, logging companies for positive outcomes.

While most of the campaigners are middle-aged and older, this film is also an appeal to younger audiences who are concerned about the environment, climate change, a better world.