Displaying items by tag: Taron Egerton

APEX

US/Iceland/Australia, 2026, 95 minutes, Colour.

Charlize Theron, Taron Egerton, Eric Bana, Matt Whelan, Aaron Pedersen, Rob Carlton.

Directed by Baltasar Kormakur.

Extreme sports, survival movies…

The prologue to this film, highly exciting to watch, is also misleading. The setting is Norway, mountains with sheer faces, climbers and their daring, achievements as well as disasters. With a title like apex, and the mountain climbing opening, we might settle in for high peaks and dangers.

But, no. There is a tragedy for the central character, Sasha, tough and played by Charlize Theron, travels to Australia, where her partner in Norway mountaineering came from.

And, as noted that the beginning of this review, extreme sports and survival. Sasha goes out into the Australian bush, actually filmed near enough to Sydney in the Megalong Valley, ready for any challenging activity. But, anyone who has seen films like Wolf Creek, knows that there are always threats, madness and dangerous characters out there in the bush.

And the screenplay cleverly misleads us (now something of a spoiler alert). Sasha encounters an ugly macho lot in the local pub and we expect them to be menacing to the lone female when she travels out alone. Fortunately, perhaps, she is helped out by a nice young man, Ben, played by Taryn Egerton (who, after all, had played Elton John but was also in The King’s Men). He suggests a more interesting location where Sasha can camp and experience Australia.

Bad move. Actually, the men are there, but what follows is a cat and mouse pursuit and escape. Probably best to say immediately that Ben, despite the naivete and sometimes charm, is bonkers. Mad religious ideas, pathological, weird sense of some kind of destiny. And he is persistent in pursuit, knows the bush, can anticipate Sasha’s moves, continually threatening, umpteen crises.

But, with memories of Deliverance and films like The River Wild, Sasha has the opportunity to use her ingenuity as well as her survival skills, hiding in the bush, climbing, in the water, canoeing, rapids and waterfall…

Of course, it is no spoiler, to know that Sasha will win out at the end. The point of the entertainment is to watch the pursuit, the tactics, Ben and his eerie presence and menace, Sasha and her survival abilities. (And, for international good measure, the director is Balthasar Kormakur from Iceland.)

1. The title, a survival thriller?
2. The opening, the Norwegian mountains, dangers, darkness, the climbers, the accident, death, survival? Setting the tone?
3. Sasha, in herself, age, physical abilities, climbing, daring, the dangers, relationship with Tommy, the discussions, the accident, his death, the repercussions? His being Australian?
4. Her travel to Australia, memories of Tommy? Adventure? The travel, the encounters with Australians along the way, the pub, the group of men, drinking, taunts, her response?
5. Her meeting Ben, his quiet manner, his suggestions, where to travel?
6. The Australian scenery, the Megalong Valley, the bush, rivers, mountains? The musical score?
7. Sasha, confident, driving, going to the rendezvous, the encounter with the men, apprehensive, their behaviour, her manner?
8. The encounter with Ben, his recommendations? Her exploring, the invasion of the tent, the thing is disappearing, her blaming the men?
9. The change in the theme, Ben, emerging as sinister, former charm, his ideas, mania, religious, pathologies?
10. The film as the pursuit, Sasha and her energy, fleeing, hiding, injuries, the river, can do, the waterfall, climbing?
11. Then, his persistence, mania, ingenuity, resources, deceiving Sasha, the pursuit, entrapment?
12. The buildup to the final confrontation, Sasha and her resources and wits, men, presumption, injury, death?
13. Audiences and their response to the characters, the action – and, maybe, wariness of the Australian bush!

CARRY-ON

US, 2024, 190 minutes, Colour.

Taron Egerton, Jason Bateman, Sofia Carson, Danielle Deadwyler, Theo Rossi, Tonatiu, Logan Marshall-Green, Dean Norris, 'SinquaWalls, Curtiss Cook, Gill Peres-Abraham.

Directed by Jaume Collett-Serra.

Most audiences would be thinking of Carry-on luggage on planes. However, some British critics raised the objection that “Carry on” was sacrosanct with the series of broad comedies from the 1970s on with Sid James and the Carry on cast…!

This is an action story is set on Christmas Eve, reminding audiences that one of the most popular Christmas films was, in fact, Bruce Willis in .  Die Hard. This is very much in the Die Hard vein.

There is a violent opening, Russian drug dealers, confrontations and killings, and an abduction. Expectations are set. And, with Jaume Collett Serra as the director, with quite a number of action films during his career, especially with Liam Neeson (Non-stop, Run all Night, The Commuter), there are quite some complications and confrontations.

Then the focus is on the main character, Ethan, Taron Egerton (The King’s Man, also playing Elton John in Rocketman), working on security at LAX with his pregnant girlfriend, Nora (Sofia Carson) as an executive job. This gives the basis for the human element during all the dangers at the airport.

The film spends some time showing the workings of security and the staff at Los Angeles vast airport. Then Ethan finds himself pushing for a promotion, given a different desk which, it emerges, upsets the careful plan of the arch criminal, called The Traveller (heard at first, then seen as Jason Bateman calmly and relentlessly and implacably sinister). The aim is to get a bag with nerve gas through security without examination.

The film maintains its tension throughout, the focus on Ethan, the pressures, the threats to kill Nora, his racing through the airport many times, using his wits, the face-to-face with The Traveller, the passenger with the case…

In fact, the film builds up tension with the arrival of the LA police, Homeland security, suspension of security action, flights delayed, the locating of the case, the threat that the nerve gas could pervade the whole airport.

We hope that the scenario would be impossible in real life, but! In the meantime, for those who have celebrated Christmas too often with Die Hard, here is its successor.

1. Christmas crime and potential disaster movie? Action, characters, tension?
2. Los Angeles setting, LAX, outside, arrivals and parking, the interiors of the terminals, the offices? The van, communications with The Traveller? The musical score?
3. The introduction, the Russians, the money, the nerve gas, the killings, the reports? The abduction of the hostage, being held in the van?
4. Ethan and Nora, together, age, relationship, the stories of the backgrounds, police Academy, application and rejection, lying, about his father? Father’s career? Life together, travel to the airport, respective jobs? Nora and her challenger about the police Academy?
5. Ethan, character, hurrying, late, the head and his comments, preparations for Christmas Eve, Ethan asking for a promotion, friendship with Jason, Jason offering the change? The rest of the staff, Eddie, his music, his jobs? The security desks and monitors, the line of travellers, security, the baggage, the collage of personal criticisms and crankiness passengers?
6. The setup, The Traveller, first hearing his voice, the woman and the tray, the earpiece? The situation, The Watcher and everything under surveillance, the connections? Jason as the target, his home watched, the threats to his family? The transition to Nora, getting all the information about her? The Traveller using it?
7. The situation, airport security, Christmas Eve crowds, the threats? Audiences identifying with Ethan, listening, conversations, challenges, the threats to Nora, the phone and the message, cancelled and its later being checked? Unease, the information about the Traveller? The bag, the red tag, the mystery of the contents, its being let through?
8. The cat and mouse with The Traveller, personalities, his calm, control, eventually being seen, meeting with Ethan, their discussions, the threats?
9. Elena, police, the murders and investigation, the burning of the building, the recording, getting some information, deciphering the nerve gas name, googling? Her contacting the agent, his working with her, the revelation of his being a phony, the driving, the crash? Elena, the contact with Homeland, getting to the airport, taking control, the airport manager of the shutdown? List of 50 suspects?
10. Ethan, running through the airport, the lunch with Nora, tension, his hurting her, reconciliation? His changing the name on the list? His finding the case, the instructions for disabling the nerve gas?
11. The interviews, the threat to the chief, the passenger killing him? The deaths, his passing the ticket and message to Lionel, Lionel’s death? Jason, believing Ethan was wanting a promotion, the change of the drink, collapse?
12. The buildup to the tension in the airport, Elena and her control, the encounter with Ethan, his pushing her? With the passenger, the passenger and the earpiece, the fight, his death? Ethan and the swapping of the bags?
13. The passenger, controlled by The Traveller, care for his husband, killing the supervisor, collaboration, The Traveller urging him to kill Ethan, his death?
14. The change of plan, the different flight, Ethan with Nora, the plan, whether the plane should go or not, his getting to the plane, the baggage area, dismantling the nerve gas, The Traveller and his phone, going down, the fight, Ethan and his shrewdness, the final confrontation, the nerve gas in the freezer, The Traveller and his death?
15. The background of the politics, the politician and her move, companies and wanting contracts, a scenario of the nerve gas, her being killed by the Russians, no matter how many deaths – and the threat for the deaths in the airport itself?
16. Nora, the pregnancy, talk about the baby, later, happy baby, going to Tahiti, Jason and his family?